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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
A LOOK BACK AT KEITH EMERSON’S SOUNDTRACK for Dario Argento’s “INFERNO”
A look back at Keith Emerson's underrated score for Dario Argento's Inferno, on the film's 40th anniversary.
by
kleurvision
Book Review: The wild, apocalyptic horror of “CRAZYTIMES” is thrilling…and weirdly prescient
Philly-based dark fiction wiz Scott Cole hits it out of the park once again with his latest reality-refracting opus.
by
Michael Gingold
Review: Onetti Brothers’ throwback giallo “ABRAKADABRA” is the real deal
Luciano and Nicolas Onetti’s ABRAKADABRA takes on a serious homage to the often imitated horror-lover's giallo. Does it work? Hell…
by
Mariam RM
Movie Review: Found Footage Is Still Fun For “The Psychics”
That feeling of being inextricably caught up in events, surrounded by evil on all sides is at the front of…
by
Rue Morgue Manor
REVIEW: Acorn TV’s Latest, “DEAD STILL” Is A Deadly Good Time
DEAD STILL strikes an unlikely comical chord amidst a series of troubling murders, seemingly committed by a rival photographer with…
by
Mariam RM
Movie Review: There’s Nothing to See “Beyond The Shadows”
A team of fraudulent paranormal investigators invite along some fans and skeptics for a live broadcast. Shenanigans ensue.
by
Rue Morgue Manor
Movie Review: “THE JACK IN THE BOX” doesn’t think outside the box
The movie misses its chance to make a memorable mark on either the killer-clown or deadly-toy subgenres.
by
Michael Gingold
Exclusive Interview: Abner Pastoll on the gripping, brutal “A GOOD WOMAN IS HARD TO FIND”
His breakthrough movie is a gritty, graphic crime thriller that edges into horror territory.
by
Michael Gingold
REVIEW: “AN ENGLISH HAUNTING” BEGS THE QUESTION – WHAT’S WRONG WITH GRANDPA?
Monsters, childhood trauma, witchcraft, possession...it all awaits on the English countryside.
by
Mariam RM
Exclusive Interview and Photos: Madelynn Stuenkel gets witchy for “THE WRETCHED”
This new talent in the creature-performer realm will really creep you out in the Pierce Brothers' film.
by
Michael Gingold
Blu-Ray Review: A British Invasion of Rodeos and Real Estate From “Darkside Releasing”
"Darkside Releasing" has two new indie films that couldn't be more different from each other.
by
Rue Morgue Manor
Movie Review: Indigenous undead shocker “BLOOD QUANTUM” is a brave, rousing call to arms
This profound First Nations zombie-apocalypse film wears its heart (and several other organs) on its sleeve.
by
Michael Gingold
Review: “Don’t Let Them In” But Maybe Give Them A Watch
With all of our collective cabin fever and stranger-danger hysteria reaching a crescendo, now is the perfect time for something…
by
Rue Morgue Manor
Unseen Threats: Revisiting “THE FOG” under COVID-19
Celebrating the 40th Anniversary of John Carpenter's misty classic under government-mandated quarantine seems eerily appropriate.
by
Andrea Subissati
Exclusive Interview: The creators and star of “1BR” on the horrors of apartment living
Actress Nicole Brydon Bloom, writer/director David Marmor and producer Alok Mishra sat down with RUE MORGUE to shed light on…
by
Michael Gingold
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