Reviews
A bigger, broader and gruesomely entertaining variation on its predecessor.by Michael Gingold
A tale of humanity and tentacle sex.by Deirdre Crimmins
Julia Ducournau’s new film turns the horror of disease into a haunting allegory for stigma, fear and familial trauma.by Rue Morgue Manor
It races through its compact 75-minute running time without losing the sense of being trapped in an inescapable nightmare.by Michael Gingold
Wang’s evident intention to create an incisive sociological statement keeps SLANTED grounded in a straightforward reality that’s at odds with…by Michael Gingold
Tim Waggoner's official adaptation is pretty, but is it Art?by Joel Harley
Uneven as it may be, THE BRIDE! is also as alive! as any film you’ll likely see this year.by Michael Gingold
Grace Glowicki shines in the atmospheric new horror from Dusty Mancinelli and Madeleine Sims-Fewer.by Deirdre Crimmins
What it needed was either a more adventurous approach to the material or a deeper, fresher dig into the psyches…by Michael Gingold
The longer the movie goes on, the loopier the plotting becomes, though it’s all approached with the same straight-faced seriousness.by Michael Gingold
The creative team behind "CALL OF THE VOID" uses Bram Stoker’s best-known non-Dracula tale to address modern sexual subjugation in…by Rue Morgue Manor
It never sufficiently cuts loose, in its conception, scripting or execution, to make the same impression as its best forebears.by Michael Gingold
A well-executed example of the Cursed Object formula crossed with FINAL DESTINATION, bringing some style and a little bit of…by Michael Gingold
The good news is that CHAPTER 3 is something of an improvement on its predecessors; the bad news is that…by Michael Gingold
It can’t be called a missed opportunity, but as its title indicates, all concerned seem more enamored of the kiss-kiss…by Michael Gingold