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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
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Reviews
TIE-IN ME UP, TIE-IN ME DOWN – “THE DESCENT: THE OFFICIAL MOVIE NOVELIZATION” SEEKS TO FIND NEW DEPTHS IN A MODERN HORROR CLASSIC
Author Christian Francis delivers a brisk and faithful (if flawed) literary reworking of Neil Marshall's beloved 2005 horror film.
by
Joel Harley
Movie Review: “THE ASTRONAUT” doesn’t stick the landing
A scientifically oriented variation on the old story of a character who won’t get out of a haunted house while…
by
Michael Gingold
Movie Review: “BLACK PHONE 2” gives the shivers to its characters and audience
It very successfully gives the audience more of what they loved about the original while respecting its characters enough to…
by
Michael Gingold
Movie Review: The Jungian shadow self comes to terrifying life in “DREAM EATER”
The found-footage subgenre gets the nightmarish shot in the arm it has long needed.
by
Shawn Macomber
Movie Review: “VICIOUS” puts Dakota Fanning through an unnerving if uneven ordeal
Even with its problems, VICIOUS is further confirmation of Bertino’s skill at tightening the screws on both his protagonists and…
by
Michael Gingold
Movie Review: “BEAST OF WAR” scores a victory with historical sharksploitation
It's a by now familiar but still effectively elemental survival situation, one that Roache-Turner wrings for both interpersonal tension and…
by
Michael Gingold
Short Film Review: Method acting goes murderous in “CLIFTON PARK”
The smart, deadly psychological thriller debuts at Screamfest LA this weekend.
by
Shawn Macomber
Movie Review: Surrealistic “SOLVENT” dissolves the sanity of characters and viewers alike
Austrian writer/director and provocateur Johannes Grenzfurthner’s latest explores the legacy of hate and human liquefaction.
by
Shawn Macomber
Movie Review: “BONE LAKE” is bloody nasty sexy fun
[The filmmakers] deliciously turn the screws, lacing the gory goings-on with a generous helping of black humor.
by
Michael Gingold
MOVIE REVIEW: “THE JESTER 2” Is A Fun But Uneven Follow-up
The tricks outweigh the treats in director Colin Krawchuk's stylish but meandering second feature-length killer clown flick.
by
Rue Morgue Manor
TIFF ’25 MOVIE REVIEW: “KARMADONNA” Is A Shocking, Sacreligious and Singular Vision Of Retribution
The incredibly obscene and blasphemous directorial debut of the co-writer of "A Serbian Film" delivers karma at its most grotesque.
by
Rue Morgue Manor
Movie Review: Close the book on “THE STRANGERS–CHAPTER 2”
It takes material that justifies at most about 20 or 25 minutes of movie and stretches it out to 98.
by
Michael Gingold
TIFF ’25 MOVIE REVIEW: “DEAD LOVER” Is An Aromatic Take On A Classic Tale
Grace Glowicki revives an old John Waters gimmick in the smelliest horror film so far this year.
by
Rue Morgue Manor
Theater Review: “EXORCISTIC: THE ROCK MUSICAL” is one helluva show
EXORCISTIC breaks the mold of typical musical parody, instead opting for a show-within-a-show narrative format that propels it far beyond…
by
Ricky J. Duarte
Movie Review: “THE TOXIC AVENGER” keeps the Tromatic faith with a little something extra
It’s Troma standards writ with a larger budget, and Blair and his team bring an advanced level of technical accomplishment…
by
Michael Gingold
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