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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Reviews
OVERLOOK FILM FESTIVAL REVIEW: “LEVITICUS” Is Engaging But Derivative
Adrian Chiarella's debut feature follows a 2014 favorite a little too closely.
by
Payton McCarty-Simas
TIE-IN ME UP, TIE-IN ME DOWN: THE “WRONG TURN” NOVELIZATION TAKES THE ROAD LESS TRAVELLED
Christian Francis' adaptation is a brisk, bloody take on Rob Schmidt's 2003 slasher.
by
Joel Harley
SHORT SHRIEKS: MAN IS THE REAL BEAST IN “ANIMUS”
Embrace the undomesticated in this gruesome short from filmmaker Jamie Murray.
by
Rue Morgue Manor
Movie Review: Netflix’s “THRASH” could be shark fans’ treasure
Getting past the fact that if you’re inclined to watch THRASH, you’ve probably seen this idea at least once before,…
by
Michael Gingold
Movie Review: New “FACES OF DEATH” is stronger on presenting death than facing up to it
The normalization of the consumption of the dreadful is certainly a pertinent theme—one that FACES OF DEATH only goes partway…
by
Michael Gingold
BUFF ’26 Movie Review: Here’s your new “OBSESSION” for the year
This despairing yet gripping study of misapplied ardor and manipulation also works like gangbusters as a horror film.
by
Michael Gingold
TIE-IN ME UP, TIE-IN ME DOWN: Christian Francis’ “MARTYRS” NOVELIZATION IS A HARD-HITTING TAKE ON AN EXTREME CINEMA CLASSIC
Echo On Publications scores again with another top-shelf horror adaptation.
by
Joel Harley
MOVIE REVIEW: GET DOWN WITH THE SICKNESS IN “CITY WIDE FEVER”
Josh Heaps’ blood-soaked love letter to giallo is a nasty treat.
by
Rue Morgue Manor
BUFF ’26 Movie Review: “THE CRAMPS: A PERIOD PIECE” bleeds shamelessly
The movie wastes no time in establishing its fluency in cinematic history, and its intent to forcefully co-opt it for…
by
Deirdre Crimmins
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries
The latest documentary from the Small Town Monsters team is chock-full of weirdness and wonder.
by
Rue Morgue Manor
Movie Review: Zazie Beetz “WILL KILL YOU,” but the movie won’t
It’s a shame that the human dynamo at this movie’s center hasn’t here been given a vehicle worthy of her.
by
Michael Gingold
BOOK REVIEW: “CTHULHU CYMRAEG: THE NIGHT COUNTRY” DELIVERS UNIQUELY WELSH LOVECRAFTIAN TALES
Editor Mark Howard Jones serves up seven jolting tales of eldritch terror from Wales' best scare scribes.
by
Rue Morgue Manor
MOVIE REVIEW: Writer’s Block Is Hell In “I KNOW EXACTLY HOW YOU DIE”
A haunted motel is a macabre meta battleground for sexual dynamics in the new film from director Alexandra Speith.
by
Rue Morgue Manor
Tie-in Me Up, Tie-In Me Down: “RETURN TO SILENT HILL” Novelization Attempts To Redeem The Worst Film Of The Year
Author Joe Passarella takes on the Herculean task of adapting a lousy movie and succeeds. But what's the point?
by
Joel Harley
Movie Review: “FORBIDDEN FRUITS” – On Wednesdays We Cast Spells
Filmmaker Meredith Alloway takes us back to the mall for a witchy teen sugar rush.
by
Payton McCarty-Simas
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