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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Reviews
Movie Reviews: Takashi Miike’s “LUMBERJACK THE MONSTER” and Xavier Gens’ “UNDER PARIS” hit Netflix
Both films find their directors working in more mainstream mode than usual, and than their admirers would probably hope for.
by
Michael Gingold
CUFF ’24 REVIEW: “THE LAST VIDEO STORE” Is the Genre Throwback You’ve Been Waiting For
Nostalgia and the new flesh get memberships at Blaster Video for a night of Canuxploitation carnage.
by
Rue Morgue Manor
MOVIE REVIEW: LEAVE THESE “POSSESSIONS” LOCKED AWAY
This is one supernatural storage war you don't want any part of.
by
Rue Morgue Manor
Movie Review: Bask in Jane Schoenbrun’s “I SAW THE TV GLOW”
I SAW THE TV GLOW is unnerving and disarming. It gets under the skin, and it is a welcome disruption.
by
Deirdre Crimmins
Movie Review: “THE STRANGERS–CHAPTER 1” does not encourage further viewing
It represents the filmmakers asking you to pay full theater admission price for what is essentially a 91-minute prologue for…
by
Michael Gingold
CUFF ’24 REVIEW: “PROPERTY” SHOWCASES A GRIPPING DIVIDE BETWEEN THE CLASSES
Brazilian filmmaker Daniel Bandeira explores the horrors of the economic divide in this tense, socially conscious thriller.
by
Rue Morgue Manor
CUFF ’24 REVIEW: AMBITIOUS DEBUT “THE BLUE ROSE” WITHERS UNDER ITS OWN INFLUENCES
Eighteen-year-old filmmaker George Barron's surreal first feature is a stylish but flawed David Lynch pastiche.
by
Rue Morgue Manor
Movie Review: “TAROT” isn’t playing with a full deck
A subject that could be adapted in all kinds of intriguing ways is reduced to a hopelessly formulaic youth-in-peril flick.
by
Michael Gingold
CUFF ’24 REVIEW: VAMPIRIC FANTASY “THE VOURDALAK” IS WORTH LETTING IN
Filmmaker Adrien Beau pays homage to the look and style of '70s horror in this deliberately paced folkloric thriller.
by
Rue Morgue Manor
Movie Review: ANTHOLOGY HORROR FILM “BEWARE THE BOOGEYMAN” IS CONSISTENTLY CHEAP
BEWARE THE BOOGEYMAN is an good-natured attempt at resurrecting the portmanteau horror film, but good intentions are sadly undermined by…
by
Joel Harley
CUFF ’24 REVIEW: GENRE-BLENDING “OMEN” CONJURES A MAGICAL REALITY
Director Baloji's new film evokes spirituality and surrealism while exploring Congolese cultural beliefs.
by
Rue Morgue Manor
Overlook ’24 Movie Review: Nic Cage is Dying to Survive the Apocalypse in “ARCADIAN”
Director Benjamin Brewer and screenwriter Mike Nilon put time and thought into picturing what happens after the world ends.
by
Deirdre Crimmins
MOVIE REVIEW: “THE SKINWALKERS: AMERICAN WEREWOLVES 2” is Too Much Fur, Not Enough Fang
Small Town Monsters barks up the wrong tree by exclusively featuring witness accounts for their latest cryptid documentary's entire runtime.
by
Kevin Hoover
Overlook ’24 Movie Review: You Won’t Want to Escape “THINGS WILL BE DIFFERENT”
Michael Felker's "THINGS WILL BE DIFFERENT" is a terrifying speculative fiction film that asks, “What if?” and answers that question…
by
Deirdre Crimmins
Movie Review: “ABIGAIL” is a bloody fun dance of death
A movie that goes for broke in highly entertaining fashion.
by
Michael Gingold
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