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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Reviews
Movie Review: Dark and truly disturbing obsessions live in “RED ROOMS”
A deeply unsettling experience, a thoroughly engrossing character study and a meditation on the cult of serial-killer worship.
by
Michael Gingold
Movie Review: Here’s the poop on “THE FRONT ROOM”
It remains on a level of perfunctory outrage as the Eggerses repeatedly go for the scatological gross-outs.
by
Michael Gingold
Movie Review: The spirit is willing but the story’s too messy in “BEETLEJUICE BEETLEJUICE”
The manic inventiveness of the design and craft contributions needed a more disciplined narrative to support it.
by
Michael Gingold
Movie Review: We’re “AFRAID” a promising premise is lacking in the execution
Everyone involved clearly took the project seriously, which makes it more of a shame that the final product doesn’t live…
by
Michael Gingold
Movie Review: Want something scary and truly surprising? You’ll fall in love with “STRANGE DARLING”
A film that will truly catch you off guard, delivering the best unexpected twists and turns of any movie in…
by
Michael Gingold
Movie Review: Keep both eyes open for “BLINK TWICE”
A distinctive and gripping thriller that slowly but surely builds to pure horror, [and] a striking directorial debut for actress…
by
Michael Gingold
Movie Review: “THE CROW” clips the wings of a classic
A film that’s busy yet underheated, lacking the dark visual poetry of its predecessor as well as its ruthless, straightforward…
by
Michael Gingold
Movie Review: “ALIEN: ROMULUS” is sometimes frightening but overly familiar
It illustrates the pitfalls of legacy sequels, in which giving the fans more of what they love can negate the…
by
Michael Gingold
Fantasia ’24 Movie Review: Signs Point to Chuck Russell’s Return to Horror With “WITCHBOARD”
WITCHBOARD might not be the major splash back into the horror genre for Chuck Russell, but it certainly is a…
by
Deirdre Crimmins
Fantasia ’24 Movie Review: “DARK MATCH” gives horror/wrestling fans something to cheer about
Writer/director Lowell Dean’s love of ’80s-era VHS horror, gore, boobs and practical effects are all on display.
by
Michael Gingold
Fantasia ’24 Movie Review: Dreams Are Not Made of “THIS MAN”
THIS MAN, which had its North American premiere at Fantasia International Film Festival this year, falls squarely in the category…
by
Deirdre Crimmins
Fantasia ’24 Movie Review: “CUCKOO” is aptly titled, and a wild, horrific ride
Part of the enjoyment comes from simply anticipating what insane turn the movie will take next.
by
Michael Gingold
Movie Review: Shyamalan’s latest falls into the “TRAP” of contrivance
TRAP quickly becomes one of those thrillers whose plotting depends on convenience rather than cleverness.
by
Michael Gingold
Fantasia ’24 Movie Review: The Adams Family merges monsters and mirth in “HELL HOLE”
From the beginning, HELL HOLE is quite clearly the work of distinctive, idiosyncratic filmmakers.
by
Michael Gingold
Fantasia ‘24 Movie Review: “FRANKIE FREAKO” is All Farts and Fun
FRANKIE FREAKO is the latest oddity to crawl out of filmmaker Steven Kostanski’s delightfully twisted brain.
by
Deirdre Crimmins
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