Reviews

Minka Kelly, Dermot Mulrooney, ghosts and a serial killer get tossed in a Lifetime Channel-esque narrative rock tumbler.

Filmmaker Patrick Biesemans' feature debut is a flawed but ambitious contemplation of AI and the afterlife.

The deceptively titled documentary barely breaks the skin with a superficial exploration of Aussie fang bangers.

It divides its time equally between the customs of its conjoined genres while pulling a few nifty twists on them.

[It’s done] with an enthusiasm that gives the audience a bloody good time from the very first scene.

It keeps you gasping and jumping and shivering in anticipation, while also smiling at its many clever touches.

The movie year is off to a good start in shivery winter with a Universal monster getting a new lease…

The first non-Pooh entry in the Twisted Childhood Nightmares universe is no darling.

Horror crept into every corner of gaming throughout 2024, offering gamers all-new experiences and remasters of franchise favorites.

It was independents' year, and some of the best titles managed to break out to mainstream audiences.

A brilliant stage adaptation of Tony Burgess' 1995 novel brings an added dimension to a terrifying story of viral language.

With its teen heroine and its mayhem kept to PG-13 levels, THE MAN IN THE WHITE VAN seems aimed at…

Frostbite would be scarier.

A tight 94-minute action-horror ride that nods to all the right were-touchstones while not skimping on the heart and resonance…

The creators should have done more to make Y2K distinctive from any number of movies released since 1999 became 2000.