Review

Horror heroine Caroline Williams shines as a DJ with a nasty Stoker-esque bite and scores to settle.

This sequel lacks the ruthless focus the original maintained even with its large ensemble, and feels mechanical instead of surprising.

It doubles as an aesthetic pleasure-trip back through four related but distinct eras of horror cinema.

OPEN 24 HOURS ultimately doesn’t engage as the study of emotional survival it’s aiming for.

A terrifying glimpse into the societal trust we place in health-care workers and the often blurred lines between mercy and…