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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
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Review
Movie Review: Psychosupernatural thriller “THE DARK RED” is smart, nuanced and savage
A blood-obsessed cult messes with the wrong mind-reading woman in this timely and affecting meditation on control, autonomy and vengeance.
by
Michael Gingold
See What Is Behind The Blue Eyes With Underworld: Evolution 1/6 Collectible Selene Figure By Star Ace Toys
Star Ace Toys ups their game with this impressive and detailed Selene figure.
by
Chris Hammond
REVIEW: “TERROR IN WOODS CREEK” takes a stab at the B Slasher Genre
All the makings of an ultra-low budget, 80s slasher flick capturing the B movie feel.
by
Rue Morgue Manor
Movie Review: “THE WILD GOOSE LAKE” is a modern Chinese neo-noir
A sort of Chinese take on the neo-noir genre, "The Wild Goose Lake" pulls no punches, breaking with modern Chinese…
by
Mariam RM
MOVIE REVIEW: “DROWNING” CHOKES ON ITS OWN TEDIUM
If DROWNING could be viewed as an electrical time sequence, it would simply be a flatline due to inactivity.
by
kleurvision
Movie Review: “THE INVISIBLE MAN” is a must-see
A tech-infused yet human-scaled, consistently tense genre piece anchored by a terrific lead performance.
by
Michael Gingold
Movie Review: “BRAHMS: THE BOY II” plays flat notes
It’s all too tame (this is barely PG-13 stuff) and generic for hardcore horror fans, and—well, too tame and generic…
by
Michael Gingold
Exclusive Interview: Jeremy Gardner and Christian Stella explore relationship terrors “AFTER MIDNIGHT”
The duo discuss their unique and powerful merging of genre and dramatic themes.
by
Michael Gingold
Movie review: A fun cast, ghosts and a vengeful witch make “CAMP COLD BROOK” a worthwhile visit
When there’s no more room on the basic cable schedule, a TV crew on the verge of cancellation will walk…
by
Michael Gingold
Movie Review: “BLUMHOUSE’S FANTASY ISLAND” isn’t what you’d wish for
It’s underheated for the first hour or so and absurdly overplotted in its final act.
by
Michael Gingold
Sundance ’20 Movie Review: “LEAP OF FAITH: WILLIAM FRIEDKIN ON ‘THE EXORCIST’ ” will compel you
Reveals the breadth of thought and craft that went into translating William Peter Blatty’s book and script to the screen.
by
Michael Gingold
BOOK REVIEW: “THE REMAKING” TIRADES BUT DOESN’T TERRIFY
The initial set-up is interesting and the overarching concept commendable, but THE REMAKING suffers from a lack of actual narrative…
by
kleurvision
Movie Review: “GRETEL & HANSEL” is a quietly frightening fairy tale
It’s been brought off with impeccable, intoxicating craft.
by
Michael Gingold
Movie Review: “ZOMBI CHILD” brings mesmerizing, socially relevant supernatural horror back to life
The Haitian voodoo past isn’t dead in Bertrand Bonello’s hybrid triumph; it’s alive and well at a French boarding school.
by
Michael Gingold
Movie Reviews: “COLOR OUT OF SPACE” and “THE TURNING” update famous horror lit
COLOR is the more successful of the two, while THE TURNING completely falls apart at the ending.
by
Michael Gingold
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