Review

A young woman is forced to dig deep when her new apartment building turns out to contain terror behind its…

It rarely strays from the basics, with…an increasing dependence on contrivances to keep the storyline going.

Its matter-of-factness about its bizarre premise is part of what makes the film oddly engaging.

It proves startlingly well-timed... But it has more than timeliness on its side.

The danger of the outside world feels sharper these days.

Stakes are high as you to choose who lives and dies during a London bio-attack.

Twenty different artists, twenty tales to help stave off cabin fever, and the chance to help out some poor critters…

Jessy Dupont’s DEEP WEB is a stunningly shot film which is frequently and frustratingly let down by some shoddy acting.

M.O.M. is a heat-of-the-moment anecdote of outrage without answers. But sometimes, maybe that’s what’s needed.

CASE 347 offers an uncanny slow-burn unlike most films of its fount footage ilk.

It raises “everything and the kitchen sink” to a cosmic level and revels in its ability to annihilate convention.

It demonstrates writer/director Michael Nader’s knack for building tension out of a basic, scaled-down scenario.

I thought I had died and gone to some sort of weird, trashy heaven...at first.

As far as single-location thrillers go, DEAD SOUND isn’t actually bad, it’s just an utterly by-the-numbers film you’re bound to…

As it turns out, both sides attacking the film as one-sided ideological propaganda are wrong.