This month, Andrea and Alex pull back the veil on narrative cinema and the true-crime phenomena. From John McNaughton’s nightmarish debut to David Fincher’s gumshoe epic, the answers to our response and responsibility to real-life events is almost always more complex than they appear on the surface.

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Required Reading:
Henry, Portrait of a Serial Killer. Dir. John McNaughton, 1986.

Zodiac. Dir. David Fincher, 2007.

Extra Credit:
Violence Incorporated: John McNaughton’s “Henry: Portrait of a Serial Killer” and the Uses of Gratuitous Violence in Popular Narrative. Steffen Hantke’s in-depth examination of violence in the film.