• News

Robert Eggers to Direct “Romeo and Juliet” for Focus Features

Robert Eggers has locked in his next film, and it is not the werewolf picture or the ghost story some horror watchers might have guessed. According to trade reports from Deadline and The Hollywood Reporter, the director will adapt Romeo and Juliet for Focus Features, which reportedly beat out A24, Sony and Warner Bros. in a competitive bidding war for the rights to his take on Shakespeare’s tragedy.

The move marks a genre detour for a filmmaker who has spent five features, The Witch, The Lighthouse, The Northman, Nosferatu and the upcoming Werwulf, mining folklore, dread and historically grounded horror. But Shakespeare’s play, with its blood feuds, plague references, obsession and a double suicide, is not exactly a tonal departure. Eggers has built a career on archaic language, rigid social codes and characters undone by forces beyond their control, all of which the Capulets and Montagues have in ready supply.

Focus Features is a familiar partner: the studio released The Northman and Nosferatu, and will put Werwulf, starring Aaron Taylor-Johnson and Willem Dafoe, in theatres this Christmas Day. No cast, writer or release date has been attached to Romeo and Juliet yet, and it remains unclear whether Eggers will work from the original text or reshape the story more freely, as he has done with source material before.

The announcement also appears to reorder Eggers’ famously crowded development slate. His adaptation of A Christmas Carol for Warner Bros., once dated for Christmas 2027 with Dafoe attached, looks to have lost its place in line, a shift not helped by Paramount’s competing Ebenezer: A Christmas Carol, starring Johnny Depp, arriving this November. A long gestating Labyrinth sequel at TriStar, written with Sjón, appears to have slipped down the list as well.

Nothing about a timeline has been confirmed beyond Eggers finishing Werwulf first, so audiences hoping to see his particular brand of candlelit doom applied to two teenagers doomed by their families’ feud should not expect news soon. Given how long Eggers projects tend to gestate, do not expect the balcony scene before 2028 at the earliest.

Read More

Get The Grim Reader.
Rue Morgue's free newsletter.
Editor's notes.
Cultural insight.
Curated horror across film, books, music, and art.
First looks.
Select previews.
No algorithms.
Join Free

Advertisement

In Print Since 1997

Issue 232

#232 Halloween 2026

Plus

Resident Evil | Designing Dracula | Exorcist II FEATURES How Weapons director Zach Cregger turned a lifelong obsession with Resident Evil into horror’s most anticipated reboot. Plus: A deep look at the Resident Evil video game franchise and its universe of novelizations, board and card games and more, and a look at Cregger’s long-awaited physical…

Issue 231

#231 Summer Slasher Issue 2026

Plus

Inside Rue Morgue #231 – Summer Slasher Issue FEATURES Filmmaker Jane Schoenbrun’s TEENAGE SEX AND DEATH AT CAMP MIASMA guts the slasher formula from the inside out, turning it into a romance about the horror of becoming who you were always meant to be. Plus! GILLIAN ANDERSON and HANNAH EINBINDER unpack Schoenbrun’s radical dismemberment of…

Issue 230

#230 May/Jun 2026 – RARE

Plus

Inside Rue Morgue #230 FEATURES Filmmaker Curry Barker transforms a simple wish into a spiralling nightmare of love, possession, and bloodshed in his breakout feature OBSESSION. Plus: The story of Barker’s found-footage shocker MILK & SERIAL, which turned a micro-budget experiment into a viral horror breakout. Hollywood made it a monster. History tells a different…

Issue 229

#229 Mar/Apr 2026

Plus

Inside Rue Morgue #229! FEATURES A nerve-shredding found-footage thriller built around sound, UNDERTONE signals the arrival of a terrifying new voice in Canada’s booming independent horror scene. Plus! Meet the new breed of independent Canadian horror filmmakers behind DREAM EATER, SWEETNESS, HANGASHORE, THE LAND OF NOD and THE CURSE OF GHOST ISLAND. Part post-punk, part…