Cinepocalypse
Dean Kapsalis' critically-lauded feature stars the "Buffy" and "American Horror Story" actress as a woman coming undone.by Rocco T. Thompson
Rue Morgue sits down with Gigi Saul Guerrero to talk about making the transition to feature directing, working with Blumhouse,…by Deirdre Crimmins
The director of "May" and "The Woman" offers up a female-centric psychodrama buoyed by three plum performancesby Rocco T. Thompson
VILLAINS is by no means a horror film, but it does play in the genre sandbox: it has kidnapping, death,…by Deirdre Crimmins
Glenn Danzig’s legacy will remain cemented in the pantheon of music, but it is painfully clear that he should rethink…by Deirdre Crimmins
World-premiering June 15 at the Cinepocalypse festival at Chicago’s Music Box Theatre, DEADCON is a new film from Alter, the…by Michael Gingold
Previously released in the U.S. only in an edited VHS edition, the jaw-dropping TAMMY AND THE T-REX sees the 35mm…by Michael Gingold
The complete list of features screening at the 2019 Cinepocalypse festival has been revealed, and it includes exciting flicks from…by Michael Gingold
Where’s the only place you can see the director of ST. ELMO’S FIRE and the Scumdogs of the Universe in…by Michael Gingold
Even those who are well versed in Indonesian horror should appreciate SATAN’S SLAVES for being a solid horror film, in…by Deirdre Crimmins
All the characters' quarreling has the effect of crowding Gags himself out of his own movie.by Michael Gingold
Single-location stories are always attractive to filmmakers working on the independent side, and British director Johnny Kevorkian found a corking…by Michael Gingold
For just its second installment, taking place next month, Chicago’s Cinepocalypse festival has lined up an impressive slate of fright…by Michael Gingold
The first year of the Cinepocalypse fest in Chicago (which grew out of Bruce Campbell’s Horror Film Festival) is shaping…by Michael Gingold
New films from the directors of WE ARE STILL HERE, [REC], BASKIN and PULSE are part of the first wave…by Michael Gingold