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  • JG Thirlwell’s IMPONDERABLE score is sublime and spooky

    February 23, 2017
    The music JG Thirlwell has composed for Tony Oursler’s multimedia installation IMPONDERABLE evokes something that is both elusive and occult.
  • Exclusive Interview: Writer/director Jordan Peele on the outsider horror of “GET OUT”

    February 22, 2017
    For most of the 2000s, Jordan Peele has been making us laugh as an actor, and now he’s about to…
  • Exclusive Interview: Director Agnieszka Smoczynska on the allure of “THE LURE”

    February 8, 2017
    Currently playing in New York City and heading to more cities in the coming weeks (see schedule below), THE LURE…
  • Movie Review: “SADAKO VS. KAYAKO” has a familiar ring

    February 2, 2017
    It doesn’t offer much that’s fresh, and the promised battle royale between ghost girls is a letdown.
  • Exclusive clip: Mermaid murder in “THE LURE”

    January 31, 2017
    This little mermaid is no Disney character: She hungers for both love and human flesh in THE LURE, which begins…
  • Sundance Movie Review: “78/52” cuts deep into the legend of “PSYCHO”

    January 24, 2017
    The pitch on the documentary 78/52 is that it’s an in-depth exploration of the shower scene in Alfred Hitchcock’s PSYCHO,…
  • Exclusive teaser and filmmaker comments: Telephonic terror in “CLOSE CALLS”

    January 17, 2017
    We previously told you about the upcoming indie chiller CLOSE CALLS, and now we’ve got the exclusive first look at…
  • Movie Review: Stick a “PITCHFORK” in it, it’s been done

    January 13, 2017
    Debuting director Glenn Douglas Packard has a background as an Emmy-winning choreographer—which might explain why PITCHFORK is the same old…
  • Scary “CLOSE CALLS” in new indie chiller; first news, poster

    January 6, 2017
    P.J. Starks, producer of the VOLUMES OF BLOOD anthologies, got in touch with the first details and the latest poster…
  • Monster Fest ’16 Movie Review: “PLAYGROUND” isn’t kidding around

    November 28, 2016
    Polish genre film is certainly having one hell of a year. From the archetypically murderous mermaid musical THE LURE to…
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