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Blu-ray Review: You’ll get a lot out of “GET OUT”
At the end of his audio commentary on Universal’s Blu-ray release of GET OUT (streeting May 23), writer/director Jordan Peele says he had the choice of leaving his movie’s meanings for the audience to discover, or “nerding out” and going into exhaustive detail on his talk track. Fortunately for fans of that form, he chose the latter, and yet all his explications don’t dilute the power of the film itself.
Movie Review: “HOUNDS OF LOVE” has a merciless, riveting bite
Australian cinema has a strong track record with true-crime dramas, but perhaps none has delved so deep into the dark, depraved side of human nature like HOUNDS OF LOVE. A remarkably bold yet controlled achievement for first-time feature writer/director Ben Young, it casts such a disturbing spell that it definitively crosses genre borders to become a horror film as well.
Exclusive Interview: The cast of “HOUNDS OF LOVE” talk madness, music and more, Part Two
The powerfully disturbing Australian crime/horror thriller HOUNDS OF LOVE will likely be a breakout film for its first-time writer/director Ben Young and also for its stars, Emma Booth, Ashleigh Cummings and Stephen Curry. The trio recall both the dark and lighter sides of filming HOUNDS below, continuing the conversation that began here.
Movie Review: “ALIEN: COVENANT” is an uneasy evolution of the franchise
ALIEN: COVENANT remains uncomfortably stranded between pushing the material in new directions and giving the die-hard devotees what they want.
Exclusive Interview: The cast of “HOUNDS OF LOVE” talk trust amidst terror, Part One
In HOUNDS OF LOVE, opening this Friday, Emma Booth, Ashleigh Cummings and Stephen Curry go to some of the most horrifically emotional places of any actors this year. Yet they’re all smiles and laugh easily when they get together to discuss the movie with RUE MORGUE at last month’s Tribeca Film Festival.
Movie Review: Fall under the spell of “A DARK SONG”
There have been many horror films about the consequences of raising or communicating with a dead child, but not many focused on the process of getting to that point. In that sense, A DARK SONG blazes a new trail in the genre, and it’s also an uncommonly absorbing and occasionally quite chilling experience.
First set visit/exclusive comments and photos: Glass Eye Pix’s punk horror film “THE RANGER”
Most of Jenn Wexler’s THE RANGER takes place in the great outdoors where the title character does his dirty work, but when RUE MORGUE first visits the shoot, the setting couldn’t be more different.
Tribeca ’17 Movie Review: “THE ENDLESS” messes with your mind in the best way
After exploring very strange love in their second feature SPRING, Justin Benson and Aaron Moorhead literally return to the territory of their enigmatic debut movie RESOLUTION with their latest project. THE ENDLESS is a similarly elliptical, fascinating viewing experience that blurs the boundaries between horror, science fiction and psychodrama.
Exclusive: Bill Moseley on playing his first killer clown in CREPITUS
Bill Moseley is he’s donning face paint for a fright film called CREPITUS, and gave RUE MORGUE some exclusive words about it.
Tribeca ’17 Movie Review: A world gone mad in Mickey Keating’s “PSYCHOPATHS”
Rising horror director Mickey Keating has been exploring insanity for his last few films, and after the monochromatic psychodrama of DARLING and the desert dementia of CARNAGE PARK, he goes full-blown crazy with PSYCHOPATHS, abandoning conventional storytelling to plunge into the avant-garde.