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“THE DEVIL’S RAIN” Blu-ray news will just make you melt; details, art, trailer
One of the most memorable screen finales in all of the ’70s occurs in THE DEVIL’S RAIN, and you’ll be able to see it in high definition this Halloween as the movie comes to Blu-ray.
Carpenter takes Christine for a cruise on Tomb’s Jukebox
Today on the Jukebox: CRUISING in CHRISTINE with CARPENTER!
Shadow Windhawk Releases Official Music Video for “Mae”
SHADOW WINDHAWK has just released the official music video for the melodic ballad “MAE,” the latest track off Cremation Garden.
Balzac does The Haunting on Tomb’s Jukebox
Today in 1963: British psych horror THE HAUNTING hits theatres!
AMC’s FearFest 2017 Start Date and Lineup announced
AMC’s FEARFEST is back and runs from October 23rd through to Halloween night on October 31st.
Jamie Lee Curtis returns to face Michael Myers in new “HALLOWEEN”; release date set
Turns out Laurie Strode didn’t die in HALLOWEEN: RESURRECTION after all. Jamie Lee Curtis will reprise the role in the new HALLOWEEN, and a release date for the reboot has been announced.
New “LEATHERFACE” poster takes the saw on the road
With LEATHERFACE set to cut into the DirecTV scene this month and theaters next month, a new poster has been released for the saga of how one very disturbed Texas boy started out on the road to being a classic screen psycho.
Rue Morgue and Unstable Ground present LITTLE TERRORS Volume 55: Dead Wishes
Our monthly showcase of horror short films hosted at IMAGINE CINEMAS CARLTON on Wednesday September 27 @ 9 PM and featuring two full hours of the craziest, goriest, most-disturbing and off-the-wall short films the genre has to offer!
New international trailer for Icelandic psychochiller “RIFT”
Currently making its way around the festival circuit, RIFT is the new genre outing from CHILD EATER director Erlingur Óttar Thoroddsen. We’ve got the new international trailer to share with you.
Movie Review: A “mother!” of a Freakout from Darren Aronofsky
If it wasn’t already taken, GET OUT would have been a very appropriate title for the new screen fever dream by Darren Aronofsky. As it stands, the fact that “mother” (lower-case) is the way Jennifer Lawrence’s heroine is billed in the closing credits, while her husband played by Javier Bardem is identified only as “Him” (upper-case), speaks to a religious subtext that’s just one of the allegories boiling under the film’s increasingly unhinged surface.











