Halloween Horror - Rue Morgue

Exclusive Interview: Jeffrey Combs on his NY production of the Poe play “NEVERMORE,” Part Two

by Michael Gingold | Oct 7, 2019 | Events, Interviews | 0 Comments

More words with the genre-fave actor on bringing the master of horror literature to the stage.

James Wan and Atomic Monster bringing Tiziano Sclavi’s “DYLAN DOG” comics to English-language TV

by Michael Gingold | Oct 7, 2019 | News | 0 Comments

For over 30 years, paranormal investigator Dylan Dog has been taking cases involving ghosts, vampires, zombies and other supernatural creatures in the pages of his eponymous Italian comic, and now he’s set for a live-action TV adaptation with one of the biggest names in horror involved.

Exclusive trailer & poster: Kill thy neighbor in Dread’s “RED LETTER DAY”

by Michael Gingold | Oct 7, 2019 | News | 0 Comments

Suburban hostility is the name of the game in RED LETTER DAY, coming soon from Epic Pictures’ Dread label. We’ve got the exclusive first look at the trailer and poster art.

“WOUNDS”, SOSKA SISTERS’ “RABID” AND “SHE NEVER DIED” HIGHLIGHT HOLLYWOOD’S 2019 SCREAMFEST

by Bryan Yentz | Oct 6, 2019 | Indie Films, News | 0 Comments

SCREAMFEST runs from October 8 – 17 so if you dig cast/crew Q&As, magnificently macabre parties and witnessing the gnarliest new horror on the block—get your tickets now!

The Art Of Dick Starr Combines Comedy And Horror In Masterful Ways

by Chris Hammond | Oct 6, 2019 | Sunday, Bloody, Funday | 0 Comments

This week, we meet Dick Starr, a versatile artist born in Honolulu, Hawaii!

MOVIE REVIEW: “GAGS THE CLOWN” needs more gags

by Shawn Garrett | Oct 6, 2019 | Review | 0 Comments

Yet another Evil Clown stalks the night in GAGS THE CLOWN!

“Pumpkins” Carve Back in New Trailer

by Rocco T. Thompson | Oct 6, 2019 | News | 0 Comments

Director Maria Lee Metheringham brings us a new would-be seasonal icon!

MOVIE REVIEW: FRANCK KHALFOUN’S “PREY” IS AS UNIMAGINATIVE AS ITS TITLE

by Bryan Yentz | Oct 6, 2019 | Review | 0 Comments

Considering the extortionate amount of films generically called “Prey”, it’s unfortunate that Franck Khalfoun’s newest endeavor live up to the banality of such an overused title.