Rue Morgue will no longer be offering this sweepstakes. We apologize for any inconvenience.
New “The Thing” and “The Cornetto Trilogy” Prints by Vice Press
Don’t sleep on these “Vice Press” Edition prints newly released.
Customized Horror Action Figures From “Moore Cool Wicked Figures”
Independent custom action figure company Moore Cool Wicked Figures (MCWF) delivers must-have pieces with an interesting twist.
South of Heaven: 10 Latin American films you probably haven’t seen (and should)!
New columnist Nic Loreti kicks off South of Heaven with recommendations that will introduce some of you to the wonderful world of Latin American horror.
Exclusive stills, new poster: “DON’T F*CK IN THE WOODS 2” is finished!
Concept Media has completed its slasher sequel, and passed along some exclusive new images to mark the occasion.
Game Review: “CELLULAR HARVEST” is a soothing, sinister journey across an alien landscape
Photograph extraterrestrial subjects you may or may not have to eradicate in this sublimely atmospheric adventure.
Tune in for the gripping finale of HorrorBabble’s dramatic adaptation of “THE DUNWICH HORROR”
HorrorBabble’s THE DUNWICH HORROR” will transport you to a quiet tavern in the dark hills of rural Massachusetts, and the sordid business of what went on in that most decadent of townships back in 1928.
Get Authentic Original Posters from “Monster Poster”
Monster Poster is run by collectors, sellers and buyers of original international and domestic theatrical movie posters.
Larry Fessenden et al. create pandemic-era fear in “ISOLATION”
Numerous filmmakers have been creating fright films while on lockdown, and a just-wrapped anthology project has one of the highest-powered directorial lineups.
Nostalgic Nebula Presents “BLACK HORROR”: An Up-Close & Personal Discussion With Black Filmmakers
Tune in on July 18th to a livestreamed panel of Black horror film stars benefiting the NAACP
Ghoultown’s “Curse of El Dorado” Needs You!
GHOULTOWN has an Indiegogo campaign where you can help them stay the independent artists we’ve come to love (and fear.)