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“HOST” director and his team set multipicture deal with Blumhouse
The creators of the Shudder sleeper are set to make a trio of features for the fright factory.
Neve Campbell returns to Woodsboro in “SCREAM 5”
Ending a long period of speculation, the actress who’s been fleeing Ghostface since the original SCREAM has been confirmed today as coming back for the latest film.
Fantasia ’20 Review: Your wish for a dreamily unnerving fear film will “COME TRUE”
There’s a cinematic intelligence at work that elevates this well above your average nightmare-oriented fright flick.
Exclusive clip: Evil Wil Wheaton in “RENT-A-PAL”
Wheaton on your TV used to mean STAR TREK, but the new psychochiller gives him a more sinister spin.
“CREEPSHOW” season two is underway at Shudder; episode, director and cast details
Following the record-breaking run of the first season, the horror streaming service has the next round of the horror anthology now going into production.
Exclusive: Complete theater listings for vampire thriller “TEN MINUTES TO MIDNIGHT”
TEXAS CHAINSAW MASSACRE 2’s Caroline Williams is back as another radio DJ in the fright film that begins its release this month, and we’ve got the complete details on where you can see it–with the actress in attendance at some venues.
Get “FREAKY” with Blumhouse and the director of “HAPPY DEATH DAY” in November; trailer and poster
Director Christopher Landon previously delivered a horror version of GROUNDHOG DAY, and now he’s putting a serial-killer spin on BIG.
TUNE INTO HORRORBABBLE FOR ANOTHER Creepy RUSSIAN TALE FROM FYODOR SOLOGUB
What lurks behind the strange smile of this bizarre boy? Find out with HorrorBabble’s latest episode The Smile, part of the continuing series “Russian Horror: The Stories of Fyodor Sologub.”
Come to a “HALLOWEEN PARTY” earlier in October; trailer and poster
It’s about a computer meme making the holiday especially scary and revealing a horrible history.
FrightFest ’20 Review: “AQUASLASH” treads water too long before sliding into gleeful depravity
AQUASLASH dedicates too much time to its petty squabbling, illicit affairs and shady real-estate deals, and not enough time to coming good on its tantalising premise.