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Fantasia ’23: Filmmakers Danny and Michael Philippou talk to us about their terrifying “TALK TO ME”
The twin filmmakers’ feature debut perceptively captures modern youth while finding new ways to scare us.
Movie Review: “TALK TO ME” Wants To Shake Your Hand
Communication with dead has devastating consequences in the most terrifying film of 2023.
Bianca A. Santos faces an uncertain future “STRONGHOLD” trailer
A young survivalist and her mother cope with a world that’s not what it seems in the new post-apocalyptic thriller coming soon from Gravitas Features.
EXCLUSIVE CLIP: TENSIONS RUN HIGH IN “THE WENDIGO”
A group of influencers searches for a social media star who’s gone missing in the backwoods of North Carolina in this clip from the new found-footage horror movie from Terror Films.
MOVIE REVIEW: “WHAT THE WATERS LEFT BEHIND: SCARS” Treads the Same Brackish Waters as its Predecessor
The sequel to the 2017 gorefest suffers from the original’s flaws.
MOVIE REVIEW: TALKY AND TEDIOUS “HOLISTAY” IS NO VACATION
Filmmaker Mary Patel-Gallagher’s feature debut suffers from laborious pacing and endless dialogue.
Radio Macabre: Ethel Cain Releases Cannibalistic Music Video For “Famous Last Words”
Inspired by her appreciation for Luca Guadagnino’s horror romance BONES AND ALL (2022), indie-rock musician Ethel Cain’s “Famous Last Words (An Ode To Eaters)” details a love story between two doomed cannibal lovers.
“PSYCHOSIS” To World Premiere August 12 At The ’23 Popcorn Frights Film Festival
A criminal fixer who experiences auditory hallucinations must confront old demons when a new contract drags him into a surreal maelstrom of mind-altering drugs, delusional vigilantes, and a sadistic hypnotist who seems more monster than man.
Argentinean Erotic Thriller “Amor Bandido” Out Now From Cinephobia Releasing
An illicit romance turns dangerously violent in AMOR BANDIDO available now on DVD and digital.
Interview: Comedian Tom Short Will Make You Scream With Laughter in “The Stand Up Horror Show”
It’s a long-standing theory that comedy and horror are two sides of the same genre coin. Putting the two together can be a frightfully successful combination, as proven throughout the cinematic ages. Since the days of Laurel and Hardy meeting Frankenstein and Abbot and Costello meeting The Wolfman, one thing has been very clear: audiences who like to scream also like to laugh about it.











