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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Search the Manor
Search
×
Columns
Movie Review: “THE MONKEY” shines as a shockingly funny gorefest
[It’s done] with an enthusiasm that gives the audience a bloody good time from the very first scene.
by
Michael Gingold
Analog Abattoir: 1976’s “ALICE, SWEET ALICE” is a cruel slasher that delivers on religious dread!
Hallowed be Thy name of Alice.
by
Dr. Benny Graves
Movie Review: Twisty and twisted “COMPANION” never stops surprising you
It keeps you gasping and jumping and shivering in anticipation, while also smiling at its many clever touches.
by
Michael Gingold
Exclusive: “PRESENCE’s” Steven Soderbergh looks back on “CONTAGION,” COVID and the movie’s alternate pandemic source
Nine years before the pandemic, the filmmaker helmed a remarkably prescient thriller.
by
Michael Gingold
EXCLUSIVE INTERVIEW: “GET AWAY” Stars Maisie Ayres and Sebastian Croft with Director Steffen Haars Talk Creating a Family on Set
All three agree that spending a long day of shooting in a car can work wonders on a new cast.
by
Deirdre Crimmins
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