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Their feature-film debut is a different kind of rape-revenge movie.

Philip Gelatt and Morgan Galen King craft an imaginative world without flinching or sparing the audience from trauma.

Peter Hsieh's crime caper actually lives up to its "neo-noir" moniker.

The horror/comedy underwent some alterations on the way to the screen.

The writer/director's anthology segment, "Vehophobia" takes a non-literal approach to the fear of cars and driving.