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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Search the Manor
Search
×
Columns
Blu-ray Reviews: Ghouls, gore and gaffes in “ZOMBIE 3,” “ZOMBIE 4: AFTER DEATH” and “SHOCKING DARK”
Seeing SHOCKING DARK in this spiffed-up widescreen edition has the effect of making it seem like a different movie—though not,…
by
Michael Gingold
Movie Review: “FERAL” sends privileged sophisticates to hell
It is, in short, the mashup of GREY’S ANATOMY, THE EVIL DEAD, 28 DAYS LATER and THE DESCENT you never…
by
Michael Gingold
Movie Review: “SEQUENCE BREAK” is a creepy mental-space invader
From the opening credits, it’s clear that SEQUENCE BREAK is a love letter to two different strands of 1980s pop-culture…
by
Michael Gingold
Exclusive Interview: Producer P.J. Starks on “HALLOWEEN” documentary, “DRACULA” short and more
Since he produced the horror anthology VOLUMES OF BLOOD a couple of years ago, P.J. Starks has been all over…
by
Michael Gingold
Exclusive Interview: Martin Freeman on his zombie drama “CARGO” and “GHOST STORIES”
After headlining the three HOBBIT epics for Peter Jackson, Martin Freeman has traveled into the darker, more personal spaces of…
by
Michael Gingold
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