Columns
The filmmaker behind the latest cinematic update of Robert Louis Stevenson's classic horror tale continues Hammer's Gothic legacy.by William J. Wright
“What started out as licensing a few songs from my solo album and maybe writing one or two turned into…by Grace Detwiler
WITCHBOARD might not be the major splash back into the horror genre for Chuck Russell, but it certainly is a…by Deirdre Crimmins
Writer/director Lowell Dean’s love of ’80s-era VHS horror, gore, boobs and practical effects are all on display.by Michael Gingold
THIS MAN, which had its North American premiere at Fantasia International Film Festival this year, falls squarely in the category…by Deirdre Crimmins
The publisher of "the best damn horror magazine in the genre" opens up about attracting new readers through RUE MORGUE'S…by William J. Wright
Part of the enjoyment comes from simply anticipating what insane turn the movie will take next.by Michael Gingold
TRAP quickly becomes one of those thrillers whose plotting depends on convenience rather than cleverness.by Michael Gingold
From the beginning, HELL HOLE is quite clearly the work of distinctive, idiosyncratic filmmakers.by Michael Gingold
The former Slayer axman sits down with RUE MORGUE for an exclusive chat about all things heavy.by Christophe Gagne
The filmmaker behind "THE COLLECTOR" returns with a new take on the slasher film for the social media generation.by Ricky J. Duarte
FRANKIE FREAKO is the latest oddity to crawl out of filmmaker Steven Kostanski’s delightfully twisted brain.by Deirdre Crimmins
The theatrical rockers return with their fourth hard-hitting studio album and an ongoing feature film project.by William J. Wright
KRYPTIC blends a search for self with a search for cryptids.by Deirdre Crimmins
It demonstrates the pitfalls of putting the metaphor before the monster, so to speak.by Michael Gingold