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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Movie Review: “A QUIET PLACE: DAY ONE” is a moving metropolitan monster saga
It is really because we care so much about the imperiled duo that DAY ONE emerges as a worthy addition…
by
Michael Gingold
ANALOG ABATTOIR: “A DAY OF JUDGMENT” Is Part Southern-Fried Morality Play, Part Supernatural Slasher
Dr. Benny Graves is back with the cure for the common horror flick! A town full of sinners meets a…
by
Dr. Benny Graves
“THE EXORCISM” Interview, Part Two: Joshua John Miller on his dad’s “EXORCIST III” role—and his own “HALLOWEEN III” role
The child actor turned filmmaker and his father both took part in cult-classic threequels.
by
Michael Gingold
“THE EXORCISM” Interview, Part One: Joshua John Miller and M.A. Fortin on making meta-horror, the long road to release and more
The duo incorporated personal themes to make this different from the usual possession picture.
by
Michael Gingold
Tribeca ’24 Movie Reviews: “HUNTERS ON A WHITE FIELD,” “THE WEEKEND” and “#AMFAD: ALL MY FRIENDS ARE DEAD”
From around the world come three films with very different approaches to the human urge to kill.
by
Michael Gingold
EXCLUSIVE INTERVIEW: HEATHER LANGENKAMP ON 40 YEARS OF “A NIGHTMARE ON ELM STREET”
Four decades later, the star of Wes Craven's iconic 1984 slasher is still into survival.
by
Bethany Lake
Exclusive Interview: “THE EXORCISM’s” Ryan Simpkins on relating to their role, auditioning for horror and more
The young genre veteran is on a horror movie set within a horror movie in this meta chiller.
by
Michael Gingold
Exclusive Interview: Alex Essoe weeds through her memories of “TRIM SEASON,” and talks about her good bud Mike Flanagan
Bud trimming becomes a potentially deadly job in the latest in the actor's long string of horror outings.
by
Michael Gingold
Tribeca ’24 Movie Reviews: “THE DEVIL’S BATH,” “THE DAMNED” and “A DESERT” take us to dangerous places
Set during different time periods, these three films have deep-seated chills in common.
by
Michael Gingold
EXCLUSIVE INTERVIEW: DIRECTOR IAN NATHAN TAKES US IN THE PIPE WITH “ALIENS EXPANDED”
The journalist-turned-documentarian opens up about the complexities of making one of the most comprehensive making-of documentaries of all time.
by
Rue Morgue Manor
Movie Review: “HANDLING THE UNDEAD” is a different, downbeat, sometimes devastating zombie drama
The tone is not shock or terror but tragedy, and the story offers no easy answers, solutions or ways out…
by
Michael Gingold
Movie Review: “THE WATCHERS” is watchable but not a must-see
The movie has a lot of explaining to do, and it gets in the way of cranking up the kind…
by
Michael Gingold
Movie Reviews: Takashi Miike’s “LUMBERJACK THE MONSTER” and Xavier Gens’ “UNDER PARIS” hit Netflix
Both films find their directors working in more mainstream mode than usual, and than their admirers would probably hope for.
by
Michael Gingold
Analog Abattoir: “CHILDREN SHOULDN’T PLAY WITH DEAD THINGS” is a Bob Clark classic of necromancy gone wrong!
Long before Ralphie longed for a Red Ryder BB gun in "A CHRISTMAS STORY," Bob Clark raised the dead in…
by
Dr. Benny Graves
CUFF ’24 REVIEW: “THE LAST VIDEO STORE” Is the Genre Throwback You’ve Been Waiting For
Nostalgia and the new flesh get memberships at Blaster Video for a night of Canuxploitation carnage.
by
Rue Morgue Manor
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