Columns

WE’RE ALL GOING TO THE WORLD’S FAIR understands unease in the ambiguous, and teases certainty to toy with the audience.

Ultimately, Ben Wheatley's newest endeavor is more about delivering a sensory experience than an emotional one.

It always encourages our sympathy for its protagonist even as her spirituality leads to suffering.

Mauro Iván Ojeda's debut feature is equal parts "Hereditary" and "Insidious."

The lines between screen and actual terror become blurred in ways that keep you guessing and intrigued, and don’t strain…