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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Search the Manor
Search
×
Columns
Movie Review: Dan Riddle’s “The Last Possession” Is An Intriguing Concept That Misses the Mark
It's long past due for an enterprising filmmaker to hang a fictional narrative on the subject of alien hauntings, something…
by
Rue Morgue Manor
Thomas Hamilton and Ron MacCloskey On “Boris Karloff: The Man Behind The Monster”
We sit down with the documentary filmmakers to discuss why Karloff remains relevant to the horror genre over a half-century…
by
William J. Wright
Gloria Lynne Henry Revisits Her Role In “Phantasm III”
As the nunchuck-wielding Rocky, Henry gave Black audiences a horror hero to root for.
by
Rue Morgue Manor
Movie Review: The “TEXAS CHAINSAW MASSACRE” is getting a little rusty
It's astronomically bloodier than Tobe Hooper’s trendsetter, yet it never feels nearly as frightening.
by
Michael Gingold
Movie Review: “A BANQUET” Feasts on Family Trauma
Ambiguity and family trauma seep throughout the tense fabric of Ruth Paxton’s THE BANQUET.
by
Deirdre Crimmins
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