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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Movie Review: “LIKE ME” vividly explores Internet madness
Writer/director Robert Mockler and producer Larry Fessenden have said that their new movie LIKE ME isn’t exactly a horror film,…
by
Michael Gingold
Movie Review: “Hollow Creek” Comes Up Empty
With the tagline, “Survival is Running out of Time,” one would expect HOLLOW CREEK to be a fast paced who…
by
Rue Morgue Manor
Movie Review: Don’t stay up for “MIDNIGHT MAN”
Even actresses doing significantly better than most in their age range can’t live on hit franchises alone, unfortunately, so here’s…
by
Michael Gingold
Exclusive Interview: “MOM and DAD” writer/director Brian Taylor on killing kids, Nicolas Cage’s madness and more
Filmmaker Brian Taylor first guided Nicolas Cage through the superheroics of GHOST RIDER: SPIRIT OF VENGEANCE, and now he and…
by
Michael Gingold
Sinister 7: Ariel Loh, Composer of “The Eyes of My Mother,” from Waxwork Records
Interview with THE EYES OF MY MOTHER score composer ARIEL LOH on the film's soundtrack release from Waxwork Records.
by
Jeff Szpirglas
Movie Review: “THE HOUSE NEXT DOOR” NOT YOUR AVERAGE HORROR FILM from INDIA
Unlike many Indian horror films which offer scares in between song and dance numbers, THE HOUSE NEXT DOOR offers a…
by
kleurvision
Exclusive comments: Dread Central presentation “VILLMARK ASYLUM”
The first release from Epic Pictures’ Dread Central Presents line, VILLMARK ASYLUM (a.k.a. VILLMARK 2), just hit Amazon Prime, and…
by
Michael Gingold
Movie Review: “BEFORE I WAKE” finally emerges to trouble your sleep
Over the past several years, director Mike Flanagan has been building an impressive body of genre work that often focuses…
by
Michael Gingold
Movie Review: New “INSIDE” is an honorable but uneven stab at the French classic
By coincidence, INSIDE is the second horror remake to be released in as many weeks directed by a Spanish-speaking filmmaker,…
by
Michael Gingold
Exclusive Interview: Dread Central Presents’ Rob Galluzzo on doing right by indie horror
This month sees the first in a string of releases from Dread Central Presents, a distribution line spun off from…
by
Michael Gingold
Exclusive Interview: The Women Behind “M.F.A” Add a Female Voice to Rape-Revenge
Continuing from an interview published in RUE MORGUE'S latest issue (#180), we sat down with the talented women behind M.F.A…
by
Rue Morgue Manor
Movie Review: “DAY OF THE DEAD: BLOODLINE” is a dud relation
If you’re going to dare to revisit this territory, you’d better have something clever, innovative and/or meaningful to add. The…
by
Michael Gingold
Exclusive Interview: Director Clay Staub and star Shawn Ashmore on keeping it real for “DEVIL’S GATE”
Practical creatures and atmospheric sets were part of the strategy behind DEVIL’S GATE, the IFC Midnight horror film opening today…
by
Michael Gingold
Exclusive Interview: Director Adam Robitel on his first trip to the Further with “INSIDIOUS: THE LAST KEY”
While most of the INSIDIOUS: THE LAST KEY team have been with the fright franchise from the beginning, the man…
by
Michael Gingold
Movie Review: Lin Shaye is key to the success of the new “INSIDIOUS”
Some horror franchises get further and further (no pun intended) away from their initial inspiration as they go along, but…
by
Michael Gingold
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