Columns
Meet the ghouls behind the DIET GHOSTS, the family of miscreants haunting Toronto’s west end with over-the-top drag shows.by Rue Morgue Manor
The remake manages a fresh take on the deadly doll that works well for a while.by Michael Gingold
The director of "May" and "The Woman" offers up a female-centric psychodrama buoyed by three plum performancesby Rocco T. Thompson
CHILD'S PLAY director Lars Klevberg discusses his version of the iconic killer doll.by Rue Morgue Manor
Ghoulardi, juvenile delinquent of the late night airwaves!by kleurvision
VILLAINS is by no means a horror film, but it does play in the genre sandbox: it has kidnapping, death,…by Deirdre Crimmins
LEZZIE BORDEN reflects on the current state of LGBTQ representations in horror: it’s hits, it’s misses and it’s future.by Rue Morgue Manor
Glenn Danzig’s legacy will remain cemented in the pantheon of music, but it is painfully clear that he should rethink…by Deirdre Crimmins
Writer/director Braden Croft’s third feature keeps you on tantalizingly uncertain psychological footing for most of its running time.by Michael Gingold
The level of craftsmanship in this raw desperation of a movie is truly impressive, and should not be ignored.by Deirdre Crimmins
There’s an authority and dedication from both director and cast to the unholy mess of THE CHILD REMAINS, but the…by Rocco T. Thompson
DANIEL ISN’T REAL takes a look at mental illness and its relationship to crafting reality, with a surprising dose of…by Deirdre Crimmins
The SCARY STORIES TO TELL IN THE DARK director chats about his forthcoming screen version of the “Richard Bachman” novel.by Michael Gingold
If you find yourself a bit bored by the predictable plotting of modern slasher films, and would rather entertain yourself…by kleurvision
THE HEAD HUNTER is an out-of-nowhere horror film with a head full of artistic aspirations that proves a vision can…by Bryan Yentz