The creative team behind "CALL OF THE VOID" uses Bram Stoker’s best-known non-Dracula tale to address modern sexual subjugation in a turn-of-the-century milieu.
It never sufficiently cuts loose, in its conception, scripting or execution, to make the same impression as its best forebears.
A well-executed example of the Cursed Object formula crossed with FINAL DESTINATION, bringing some style and a little bit of heart to go with its sometimes extreme gore.
The good news is that CHAPTER 3 is something of an improvement on its predecessors; the bad news is that it isn’t nearly enough of one.
It can’t be called a missed opportunity, but as its title indicates, all concerned seem more enamored of the kiss-kiss than the bite-bite.
