Reviews
Some visually imaginative and occasionally creepy sequences ultimately have little to support them.by Michael Gingold
The new single-player video game is a almost-perfect homage to the original series.by Joel Harley
The human side is tense and dramatic enough to maintain interest when there’s not a whole lotta snakin’ goin’ on.by Michael Gingold
He makes this feel properly like the games, yet this is very much his own, frightening film.by Michael Gingold
Short films take center stage at Fantasia.by Deirdre Crimmins
Only intermittently captures the terror you'd feel being stranded in the woods with a spider five times larger than you.by Michael Gingold
The methodical pace and complex characters are well worthy of fright fans’ attention.by Deirdre Crimmins
A straightforward mayhem movie that is very well-crafted without being terribly inspired.by Michael Gingold
The action is varied and ferociously staged, with lots of very enthusiastic zombie performers rampaging around.by Michael Gingold
After the long string of recent childhood-icon-gone-murderous movies, finally we have one that’s really good.by Michael Gingold
The methodical pace and complex characters are well worthy of fright fans’ attention.by Deirdre Crimmins
It’s got plenty of extreme splatter, all right, but it peaks early in that department, and doesn’t offer enough else…by Michael Gingold
The fact that Paris’ pursuit of fame and victims are inextricably intertwined creates an ongoing tension, punctuated by grisly shocks…by Michael Gingold
Even with the black-and-white plot and the expected character development, the rampage scenes in NAMELESS are a lot of fun.by Deirdre Crimmins
Writer- director Brenden Rudnicki hits all the familiar tropes with style in his new horror film coming to Bloodstream.by Rachel Meghan