Twenty different artists, twenty tales to help stave off cabin fever, and the chance to help out some poor critters in need. There’s seriously no downside to investing in this book for less than five bucks.
Jessy Dupont’s DEEP WEB is a stunningly shot film which is frequently and frustratingly let down by some shoddy acting.
M.O.M. is a heat-of-the-moment anecdote of outrage without answers. But sometimes, maybe that’s what’s needed.
CASE 347 offers an uncanny slow-burn unlike most films of its fount footage ilk.
It raises “everything and the kitchen sink” to a cosmic level and revels in its ability to annihilate convention.
