Fantasia ’18 Review: “PUPPET MASTER: THE LITTLEST REICH” makes you squirm for the wrong reasons
On one hand, it’s dumb, gory fun with familiar little baddies; on the other hand, using the vernacular of the now, it’s “problematic.”
On one hand, it’s dumb, gory fun with familiar little baddies; on the other hand, using the vernacular of the now, it’s “problematic.”
Those who have an affection for cinematic thrillers that keep us guessing right up to the very last minute, THE VANISHED is a perfect day at the movies.
With his long-awaited feature directorial debut, Dennison Ramalho solidifies his status as a serious talent on the international horror scene.
Making its Canadian premiere at Montreal’s Fantasia and also hitting U.S. theaters and VOD tomorrow, THE NIGHT EATS THE WORLD is an unusual and effective variation on zombie/survival tropes. RUE MORGUE got an exclusive sit-down with its creators.
After terrifying audiences at Montreal’s Fantasia International Film Festival and elsewhere with his short films LOVE FOR MOTHER ONLY and NINJAS, and the Coffin Joe movie EMBODIMENT OF EVIL (which he co-scripted), Brazilian filmmaker Dennison Ramalho has his feature directorial debut THE NIGHTSHIFTER world-premiering at Fantasia this month. We’ve got the new trailer and a couple of pics to share.