SETH A SMITH AND ANNA HOPKINS ON THE TERRORS OF “TIN CAN” By WILLIAM J. WRIGHT Shot in 2019 and finally seeing wide release through VOD and digital, Seth A Smith’s (The Crescent) TIN CAN is a brutal mix of body horror and dystopian science fiction....
Movie Review: Lloyd Kaufman Gives The Bard A Beating In “Shakespeare’s Sh*tstorm”” By WILLIAM J. WRIGHT Troma movies are virtually critic-proof. Approaching a half-century as cinema’s prime purveyors of surreal sleaze and absurdist...
SPECIAL EFFECTS MASTER TREY LINDSAY REVEALS THE SECRETS OF “HELLBENDER” By WILLIAM J. WRIGHTAlready one of the best-reviewed horror films of 2022, the supernatural coming-of-age thriller HELLBENDER represents a revolution in DIY filmmaking. Toby Proser,...
AVERY KONRAD ON THE SMALL-TOWN TERRORS OF EPIX’S “FROM” By WILLIAM J. WRIGHT On the surface, the small town depicted in the new Epix series FROM looks exactly like the sort of idyllic place where many of us would like to settle down. It’s a...
RAY WISE TALKS “KING KNIGHT” AND HIS LIFELONG LOVE OF “DRACULA” By WILLIAM J. WRIGHTRay Wise is one of the most versatile actors of all time. From his role as the heroic Dr. Alec Holland in Wes Craven’s 1982 adaptation of Swamp Thing to...
