Listen To My Nightmare: “The Agony and the Ecstasy of Watain” By AARON LUPTON Okay world, we get it. A new age of darkness is officially upon us, one that is characterized by disease, social strife, and now a dang war, all while mainstream society...
CARPENTER BRUT UNLEASHES “LEATHER TERROR” By RYAN DYER LEATHER TERROR is the second part of a new trilogy of albums by synthwave demi-god Carpenter Brut. Set to be released on April 1 via Universal, it follows the exploits of Bret Halford (a mix of Bret...
Director Addison Heimann and Zach Villa Open Up About “Hypochondriac” By RACHEL REEVES In writer/director Addison Heimann’s latest film HYPOCHONDRIAC, the veil between fiction and reality is intentionally pulled to the side—just a smidge. Based on Heimann’s own...
SXSW 2022 Movie Review: “Bitch Ass” Plays a Good Game, But Loses All the Same By RACHEL REEVES In an effort to bolster the frustratingly slim list of Black horror villains, writer/director Bill Posley submits a new baddie to the bunch with his latest film, BITCH ASS....
Director Pete Ohs and Composer John Bowers on their SXSW Stunner, “Jethica” By RACHEL REEVES In the new supernatural dark-comedy film JETHICA, death is only the beginning for a very particular group of ghosts out in the middle of the New Mexico desert. Mumblegore...
