Michael Gingold

A sitcom situation goes very wrong in ways aiming to offend pretty much everyone.

The writer/director’s second film is as full of shocking and scary moments as it is suffused with thematic purpose.

The writer/director talks her frightening film, its legacy and its titular creature's gay-icon status. Just don't call it "elevated horror."

New York City’s best horror-movie showcase has a wide range of screen frights on tap for next month.

A family’s demons come out to play in the film opening this week.