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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Deirdre Crimmins
Windy City Horrorama ‘19 Review: “STRAIGHT EDGE KEGGER” is a House Party Invasion
STRAIGHT EDGE KEGGER certainly has fun with the music and the mayhem.
by
Deirdre Crimmins
Windy City Horrorama ‘19 Review: In “FREAKS” Paranoia doesn’t mean you’re crazy if The Threat Is Real
Visually stunning and emotionally honest, FREAKS is a fascinating take on paranoia and what makes people special.
by
Deirdre Crimmins
Exclusive Interview: Director Josh Lobo on “I TRAPPED THE DEVIL”
We talk to director Josh Lobo about directing his first film, assembling a small cast, and film as a therapeutic…
by
Deirdre Crimmins
BUFF ‘19 Review: Terrible things happen to terrible people in “TONE-DEAF”
In TONE-DEAF there are as many laughs as there are reasons to cry in frustration and scream in fright.
by
Deirdre Crimmins
BUFF ‘19 Review: “GIRL ON THE THIRD FLOOR” Shows Love For Practical Effects
In GIRL ON THE THIRD FLOOR, the body fluids you find are just as likely to be from a sexual…
by
Deirdre Crimmins
Exclusive Interview: Nicolas Pesce, director of “PIERCING”, on Adaptation and Body Horror
PIERCING is the second from Nicolas Pesce, who also created 2016's gross and beautiful EYES OF MY MOTHER. Here, he…
by
Deirdre Crimmins
Exclusive Interview: “SUSPIRIA “(2018) Screenwriter David Kajganich Talks About the Male Gaze and Female bodies
We sat down with Kajganich at last year’s Fantastic Fest to discuss adapting the beloved Dario Argento classic for new…
by
Deirdre Crimmins
Fantastic Fest ‘18 Review: “STARFISH” is a contemplation on grief and loss
STARFISH screens Saturday, October 13th at the Brooklyn Horror Film Festival.
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Deirdre Crimmins
Fantastic Fest ’18 Interview: Crafting the perfectly imperfect cop in “DESTROYER”
RM catches up with director Karyn Kusama, along with the film’s two writers and frequent collaborators Phil Hay and Matt…
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Deirdre Crimmins
Fantastic Fest ‘18 Review: Mockumentary “FERAL” ignites ire and fire
Director Andrés Kaiser's FERAL uses the mockumentary format to its advantage, and keeps us guessing right up to the very…
by
Deirdre Crimmins
Fantastic Fest ‘18 Review: Peter Strickland’s “IN FABRIC” sews terror into one beautiful red dress
Horror seems to have a preoccupation with haunted houses and possessed dolls but Peter Strickland's latest tackles a haunted garment…
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Deirdre Crimmins
Fantastic Fest ‘18 Review: “BORDER” Brings a Genre Twist to a Classic Tale
BORDER is not a horror film in any real way, but is does use the body as a tool for…
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Deirdre Crimmins
Fantastic Fest ‘18 Interview Nicolas Pesce: Adapting Murakami’s “PIERCING” for Screen
We sit down with director Nicolas Pesce to discuss adapting the novel for the screen.
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Deirdre Crimmins
Fantastic Fest ‘18 Review: “THE PERFECTION” gives us body horror with a smirk
Playfulness and body horror anchor Richard Shepard's unusual film in some incredibly entertaining waters. http://sumo.ly/ZyRE
by
Deirdre Crimmins
Fantastic Fest ‘18 Review: “MAY THE DEVIL TAKE YOU” unleashes Indonesian hell
A look at director Timo Tjahjanto's classically-rooted film of familial terror.
by
Deirdre Crimmins
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