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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Deirdre Crimmins
Movie Review: Overkill Reigns in Russian Bloodbath “WHY DON’T YOU JUST DIE!”
In the ultra violent comedy WHY DON'T YOU JUST DIE! the laughs keep coming as the blood keeps flowing.
by
Deirdre Crimmins
“THE ROOM” is Speculative Family Horror in a Speculatively Horrific World
The danger of the outside world feels sharper these days.
by
Deirdre Crimmins
Exclusive clip from “BENEATH US” shows America at its worst
BENEATH US takes a long hard look at what can happen when the gap between races and classes becomes so…
by
Deirdre Crimmins
Fantastic Fest ‘19 Interview: Michael Beach Nichols: “WRINKLES THE CLOWN” Spreads Fear The Good Old Fashioned Way
Director Michael Beach Nichols (WELCOME TO LEITH) assembled his version of the Wrinkles tale through phone calls, Skype sessions, and…
by
Deirdre Crimmins
Fantastic Fest ‘19 Review: You can’t escape “KOKO-DI KOKO-DA”
KOKO-DI KOKO-DA might not be a favorite of the horror fan looking for slashing and dashing, but for those who…
by
Deirdre Crimmins
Fantastic Fest ‘19 Review: “SCREAM, QUEEN!” Gets The Royal Treatment
SCREAM, QUEEN! is a timely documentary about an aspect of the horror world that has gone under appreciated for too…
by
Deirdre Crimmins
Fantasia ‘19 Review: “BLOOD ON HER NAME” is tight, tense, and buoyed by a phenomenal lead performance
A look at Matthew Pope's crime thriller, now premiering at Fantasia!
by
Deirdre Crimmins
Exclusive Interview: Gigi Saul Guerrero Declares Her Own Independence Day
Rue Morgue sits down with Gigi Saul Guerrero to talk about making the transition to feature directing, working with Blumhouse,…
by
Deirdre Crimmins
Cinepocaypse ‘19 Review: Dark Secrets and Dark Humour in “VILLAINS”
VILLAINS is by no means a horror film, but it does play in the genre sandbox: it has kidnapping, death,…
by
Deirdre Crimmins
Cinepocalypse ‘19 Review: Glenn Danzig’s “VEROTIKA” is an incompetent horror movie
Glenn Danzig’s legacy will remain cemented in the pantheon of music, but it is painfully clear that he should rethink…
by
Deirdre Crimmins
Overlook Film Fest ‘19 Review: Hell freezes over in “THE LODGE”
The level of craftsmanship in this raw desperation of a movie is truly impressive, and should not be ignored.
by
Deirdre Crimmins
Overlook Film Fest ‘19 Review: “DANIEL ISN’T REAL,” but the scares are
DANIEL ISN’T REAL takes a look at mental illness and its relationship to crafting reality, with a surprising dose of…
by
Deirdre Crimmins
Chicago Critics Film Fest ‘19 Review: “THE NIGHTINGALE” Sings A Song of Revenge
THE NIGHTINGALE is a dark, nihilist period piece never quite tips the scales from horrifying drama into a dramatic horror.
by
Deirdre Crimmins
Movie Review: “BODY AT BRIGHTON ROCK” Warns You To Stay Out Of The Woods
BODY AT BRIGHTON ROCK offers up this census of potential deathtraps in the debut feature from director Roxanne Benjamin.
by
Deirdre Crimmins
Windy City Horrorama ‘19 Review: “ANTRUM: THE DEADLIEST FILM EVER MADE” Digs Its Way To Hell
Tense and unnerving, unpredictable and mean spirited, ANTRUM: THE DEADLIEST FILM EVER MADE adds layers to the terrifying power of…
by
Deirdre Crimmins
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