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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Vincent Cassel
OVERLOOK ‘25 MOVIE REVIEW: “THE SHROUDS” is Like Sex and Pizza: any Cronenberg is Good Cronenberg
Cronenberg's latest may not be his greatest, but it stands as an impressive and unnerving exploration of the human condition.
by
Deirdre Crimmins
Exclusive Interview: David Cronenberg on death, loss and the cast of “THE SHROUDS”
The writer/director uses a science fiction/thriller framework to explore complex human emotions, digging deep into themes of mortality and grief.
by
Michael Gingold
Teaser and release dates revealed for David Cronenberg’s “THE SHROUDS”
The legendary filmmaker’s study of death and what comes next has its theatrical break this spring.
by
Michael Gingold
“THE SHROUDS” to be uncovered as David Cronenberg’s latest gets distribution
Having premiered at Cannes and screened at the Toronto International Film Festival, it’s headed for a U.S. premiere and wider…
by
Michael Gingold
Piercing the Veil: Fatal Fractures and Finality in “BLACK SWAN”
In this final installment of PIERCING THE VEIL, Jillian Kristina exposes fatal fractures and the death of perfection in Darren…
by
Jillian Kristina
David Cronenberg sets his next feature “THE SHROUDS,” starring Vincent Cassel
With his genre comeback CRIMES OF THE FUTURE poised for its Cannes premiere and June release, the legendary filmmaker has…
by
Michael Gingold
Objectification and Male Rage in “IRRÉVERSIBLE”
Gaspar Noé's film is an absolute must-watch for those looking to explore New French Extremity.
by
Jerry Jenae Sampson
Movie Review: “UNDERWATER” rises above expectations
While it’s true that UNDERWATER doesn’t do much that’s new, it must be said that it does it quite well.
by
Michael Gingold