Illicit sex, decadent wealth and blood-letting combine in the unjustly forgotten THE BLACK ROOM (1982)
The Living Dead corrupt the Flower Children in DEATHMASTER
Roxy Shih's re-imagining of the vampire mythos is intellectually bloodless.
We review the new restoration of Abel Ferrara's polarizing take on vampirism!
We feast upon three beautiful new transfers of Michio Yamamoto's under-seen vampire features!