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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Toronto international Film Festival
TIFF ’25 MOVIE REVIEW: “KARMADONNA” Is A Shocking, Sacreligious and Singular Vision Of Retribution
The incredibly obscene and blasphemous directorial debut of the co-writer of "A Serbian Film" delivers karma at its most grotesque.
by
Rue Morgue Manor
TIFF ’25 MOVIE REVIEW: “DEAD LOVER” Is An Aromatic Take On A Classic Tale
Grace Glowicki revives an old John Waters gimmick in the smelliest horror film so far this year.
by
Rue Morgue Manor
TIFF-Bound Filmmakers Rachel Kempf and Nick Toti Wrap Their Next Feature “HOMEBODY”
"It’s a movie for anyone who’s ever dreaded having family come to visit, or had a guest overstay their welcome,…
by
Grace Detwiler
TIFF ’22 MOVIE REVIEW: Tilda Swinton Delivers Another Haunting Performance in A24’s “THE ETERNAL DAUGHTER”
Filmmaker Joanna Hogg explores complicated parental relationships in this cerebral ghost story.
by
Rue Morgue Manor
TIFF ’22 Movie Review: “THE MENU” is a Lot of Sizzle Without the Steak
Mark Mylod's biting black comedy is a delicious trifle but far from a main course.
by
Ryan Coleman
TIFF ’22 MOVIE REVIEW: Kevin Williamson Makes an Incredible Return to Form with “SICK”
The SCREAM scribe cuts to the bone with an effective new slasher directed by John Hyams.
by
Ryan Coleman
Epic Pictures Acquires South Korean Revenge Thriller & TIFF Premiere “A Man Of Reason”
“Shakespearean in its violence, Jung Woo-Sung’s A MAN OF REASON is a modern masterpiece in storytelling that is filled with…
by
Grace Detwiler
Pacific Northwest Pictures Bringing “Violation” To Canadian Audiences This Month
Check out the edgy regional trailer for Madeleine Sims-Fewer and Dusty Mancinelli's festival fave feminist revenge fable.
by
Rocco T. Thompson