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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Ry Barrett
GORY HORROR COMEDY “BEYOND THE CHAMBER OF TERROR” NOW STREAMING ON TUBI, PRIME VIDEO AND MORE
Writer/Director Michael Pereira’s award-winning indie splatterfest makes its debut on several popular platforms.
by
James Burrell
Sci-fi horror film “THE HYPERBOREAN,” from “PONTYPOOL” creator, has a release date, trailer and poster
It sounds like a STAR WARS series, but it’s actually a Canadian chiller featuring an “ice mummy” and the star…
by
Michael Gingold
Unrated slasher “IN A VIOLENT NATURE” gets a new trailer and poster
Prepare for a brutal theatrical experience later this month.
by
Michael Gingold
Sundance ’24 Movie Review: “IN A VIOLENT NATURE” takes a different, überbloody look at a forest slasher
Writer/director Chris Nash wrings considerable suspense out of foregrounding his villain, as we watch him get closer and closer to…
by
Michael Gingold
CALGARY UNDERGROUND FILM FESTIVAL ’23 REVIEW: “CULT HERO” PACKS HUMOR AND HEART
Jesse Thomas Cook's new feature is that rarest of beasts – a horror comedy that works.
by
Rue Morgue Manor
Get Your First Peek Inside “The Chamber of Terror”
Michael Pereira's upcoming indie horror-comedy gets its first teaser.
by
Rocco T. Thompson
Ry Barrett Discusses His New Role In “Open Your Eyes”
The actor chats about playing a frustrated writer and how it relates to his own experiences in the film industry.
by
Rue Morgue Manor
Movie Review: “Open Your Eyes” Is Blinded By Excessive Twists
Greg A. Sager's psychological chiller mistakes contrived revelations for good storytelling.
by
Rue Morgue Manor
Exclusive trailer will “OPEN YOUR EYES” to new psychochiller
No relation to the same-named Alejandro Amenábar film, it’s described as “THE SHINING meets THE DARK HALF.”
by
Michael Gingold