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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Rue Morgue
MOVIE REVIEW: “BRAID” IS LESS A MOVIE AND MORE A VANITY PROJECT
BRAID is less a film and more a vanity project. It’s the very reason people scoff when they hear the…
by
Bryan Yentz
MOVIE REVIEW: “LASSO” NEARLY HOGTIES ITSELF WITH THE WORST POSSIBLE PROTAGONIST
Where LASSO could’ve been a horror-hybrid spectacle worthy of repeat viewing, it unfortunately chooses to tighten its noose around the…
by
Bryan Yentz
MOVIE REVIEW: “CHRISTMAS BLOOD” IS WORSE THAN COAL IN YOUR STOCKING
CHRISTMAS BLOOD does scratch a gorehound's itch for merciless slaughter, but won’t keep the pack salivating beyond a beer-binging rental.
by
Bryan Yentz
MOVIE REVIEW: “WHAT THE WATERS LEFT BEHIND” IS BETTER OFF SUBMERGED
A horror film bereft of originality or reason; developed by filmmakers who had no idea how to reap the benefit…
by
Bryan Yentz
MOVIE REVIEW: “DRAGGED ACROSS CONCRETE” WILL GIVE YOU ROAD RASH
For those that appreciative their flicks raw and uncompromising, DRAGGED ACROSS CONCRETE isn’t just unforgettable, but the kind of movie…
by
Bryan Yentz
MOVIE REVIEW: FOLKLORE AND PUBERTY MERGE SAVAGELY IN “WILDLING”
WILDLING is an engaging film that addresses its themes with a delicate touch, all the while delivering the savage goods…
by
Bryan Yentz
For the Sake of Argument – VS and Jeepers Creepers 3
You might have seen our poll on our Facebook page: should horror fans boycott convicted pedophile Victor Salva’s new Jeepers…
by
Andrea Subissati
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