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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Rue Morgue
Rue Morgue Teams With Messed Up Puzzles For A Samhain Surprise
Celebrate "The Night He Came Home" with one of our most iconic covers!
by
Rocco T. Thompson
MVD Entertainment Group and Rue Morgue Launch “MIDNIGHT MOVIE UNCHAINED”
Check out the free new Horror-centric AVOD channel, available exclusively on Roku!
by
Rocco T. Thompson
MOVIE REVIEW: FOUND-FOOTAGE PITS A MOTHER AGAINST SON IN “MOTHERS OF MONSTERS”
M.O.M. is a heat-of-the-moment anecdote of outrage without answers. But sometimes, maybe that’s what’s needed.
by
kleurvision
MOVIE REVIEW: “DEAD SOUND” IS A BOAT RIDE TO BANALITY
As far as single-location thrillers go, DEAD SOUND isn’t actually bad, it’s just an utterly by-the-numbers film you’re bound to…
by
kleurvision
MOVIE REVIEW: “DROWNING” CHOKES ON ITS OWN TEDIUM
If DROWNING could be viewed as an electrical time sequence, it would simply be a flatline due to inactivity.
by
kleurvision
BOOK REVIEW: “THE REMAKING” TIRADES BUT DOESN’T TERRIFY
The initial set-up is interesting and the overarching concept commendable, but THE REMAKING suffers from a lack of actual narrative…
by
kleurvision
MOVIE REVIEW: “A SERIAL KILLER’S GUIDE TO LIFE” IS WORTH FOLLOWING
The plot may lose steam, but the driving force of A SERIAL KILLER'S GUIDE TO LIFE is that of its…
by
kleurvision
SCREAMFEST LA 2019 REVIEW: “HE NEVER DIED” GETS MORE OF A REIMAGINING THAN A SEQUEL IN “SHE NEVER DIED”
Resides in a strange purgatorial state wherein fans of the original might feel slighted by the ingeminate material, but newcomers…
by
kleurvision
SCREAMFEST LA 2019 REVIEW: “EVIL DEAD” MEETS “REAR WINDOW” IN THE PIERCE BROTHERS’ “THE WRETCHED”
It’s REAR WINDOW through the grue-smeared lens of EVIL DEAD. And for the most part, it succeeds in both cinematic…
by
kleurvision
“WOUNDS”, SOSKA SISTERS’ “RABID” AND “SHE NEVER DIED” HIGHLIGHT HOLLYWOOD’S 2019 SCREAMFEST
SCREAMFEST runs from October 8 - 17 so if you dig cast/crew Q&As, magnificently macabre parties and witnessing the gnarliest…
by
kleurvision
MOVIE REVIEW: FRANCK KHALFOUN’S “PREY” IS AS UNIMAGINATIVE AS ITS TITLE
Considering the extortionate amount of films generically called “Prey”, it’s unfortunate that Franck Khalfoun’s newest endeavor live up to the…
by
kleurvision
MOVIE REVIEW: TRUTH IS BLANDER THAN FICTION IN BIGFOOT FLICK “HOAX”
HOAX is a creature feature that attempts some respectable misdirection, but falters in its lusterless execution.
by
kleurvision
MOVIE REVIEW: AMBITIOUS INDIE EFFORT “THE HEAD HUNTER” SPILLS MORE AMBIENCE THAN IT DOES BLOOD
THE HEAD HUNTER is an out-of-nowhere horror film with a head full of artistic aspirations that proves a vision can…
by
Bryan Yentz
DEAD GIVEAWAY: OF HORROR TRAILERS AND SPOILERS – A RANT
Have you ever had a semblance of interest in a movie, only to watch its preview and discover that you…
by
kleurvision
BOOK REVIEW: PLAGUE CHILDREN, PREJUDICE AND WAR ERUPT IN “ONE OF US”
ONE OF US has its heart in the right place, but the kitchen-sink approach to resolution rushes the overall experience…
by
Bryan Yentz
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