RUE MORGUE #229 tunes into the shifting frequencies of modern horror, exploring sound-driven terror in UNDERTONE, the rise of Canada’s new indie wave, the modern darkwave strains of TRAITRS, the church of CTHULHU, the blood-soaked grindhouse revival of DOLLY, and lots more.
The “daring blend of New French Extremity and 1970s American horror” is headed for theaters.
It’s a very promising postapocalyptic scare saga.
There’s something new and nasty lurking in this filmmaker’s woods.
The film makes a virtue out of focusing on the people trying to survive a viral apocalypse rather than on those who have been transformed by it.
