If you've ever seen a slasher from the eighties and enjoyed the over the top bad acting, buckets of blood, and inventive kills, then POOL PARTY MASSACRE is the film for you.
To call [CARGO] simple is to undermine the word “simple”. It’s less than that. It’s a single-location film equivalent to BURIED, PHONE BOOTH or LOCKE, but with zero ambition and unconditionally misguided.
GOOD MANNERS is a film that actively strives to make viewers uncomfortable — in its subject matter, in its insistence on moving from genre to genre, and in its meditative approach to the trials and tribulations of werewolf parenting.
THE DOMESTICS is obvious in its influences and may not reinvent the wheel, but it sure as hell wraps it in bloody chains, lines it with bladed rims and sends it flaming down a hill paved with determined intention.
White-hot off the hell hound’s trail of last year’s DEVIL IS FINE, ZEAL & ARDOR is back and spitting some serious flame with its sophomore effort, STRANGER FRUIT. It’s bigger, it’s better, it’s bolder. It’s everything you could want in a follow-up and then some.
