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Digital Archives
Features
Film
Books
Music
Comics
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Collectibles
Essays
Columns
Shoppe
Newsletter
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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
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See the world go silent in new “A QUIET PLACE: DAY ONE” trailer and poster
May 9, 2024
The monsters decimate Manhattan in the prequel coming this summer.
INTERVIEW: RICHARD AND ANASTASIA ELFMAN ON RIPPING HEARTS OUT IN “BLOODY BRIDGET”!
May 9, 2024
Hollywood’s avant-garde power couple get bloody for the upcoming Los Angeles premiere of their latest film.
A truly toxic relationship in “KILL YOUR LOVER”: Trailer, poster and release info
May 8, 2024
Love is a monster in the British independent shocker.
U.S. dates, poster and trailer revealed for “HUMANIST VAMPIRE SEEKING CONSENTING SUICIDAL PERSON”
May 8, 2024
The romantic horror/comedy with plenty of bite is coming this summer.
“HANDLING THE UNDEAD,” from “LET THE RIGHT ONE IN” writer, gets release dates, trailer and poster
May 8, 2024
It’s a more dramatically oriented story of the deceased returning to life.
“FINAL DESTINATION 5” director gets airborne with “BLACK BOX (FLIGHT 298),” from “THE GRUDGE” writer
May 7, 2024
It’s a supernatural thriller from two of the companies behind BOY KILLS WORLD.
“THE HANGMAN” gives you a new demon to Dread this month; trailer & poster
May 6, 2024
The fearsome fiend emerges from the Appalachian mountains.
Piercing the Veil: Meeting the Empress of Rot with “GRETEL AND HANSEL”
May 6, 2024
The Empress of Rot devours us whole as we travel to the edge of the wood in Osgood Perkins' "GRETEL…
CUFF ’24 REVIEW: “PROPERTY” SHOWCASES A GRIPPING DIVIDE BETWEEN THE CLASSES
May 5, 2024
Brazilian filmmaker Daniel Bandeira explores the horrors of the economic divide in this tense, socially conscious thriller.
CUFF ’24 REVIEW: AMBITIOUS DEBUT “THE BLUE ROSE” WITHERS UNDER ITS OWN INFLUENCES
May 5, 2024
Eighteen-year-old filmmaker George Barron's surreal first feature is a stylish but flawed David Lynch pastiche.
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