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Director Jenn Wexler talks “THE RANGER” and more in new Glass Eye Pix video
Jenn Wexler’s punk slasher film THE RANGER (pictured) has been winning fans across the festival circuit this year and is heading for a Shudder debut early next year. The director talks about the movie and her other work for Larry Fessenden’s Glass Eye Pix in a new video you can see past the jump.
Exclusive: Make the “PLEDGE” as hazing horror film gets release date
A frightening fraternity is the focus of PLEDGE, which made its world premiere at this year’s Fantasia festival, and we got the exclusive word that it now has a date for wider exposure.
FRIGHTS FOR TYKES MEETS “FIVE GOOFY GHOSTS”
FIVE GOOFY GHOSTS is a collection of five wonderfully illustrated ghost stories for children in grades 2 and 3.
Artsploitation will take you to “BLOOD PARADISE” next year; see the trailer
A writer seeking inspiration goes on a very strange vacation in BLOOD PARADISE, an English-language Eurohorror/comedy in the ’70s/Brian De Palma vein that just got picked up for U.S. distribution. Read on for the info and the trailer.
A Brief Guide to the Creepers and Mansplainers of Horror
When we speak, they’re ready.
PETE “THE MEAT PUPPET” weirds OUT TOMB’S JUKEBOX
Today on the Jukebox: we greet Pete – THE PUPPET MADE OF MEAT!
Exclusive Interview: Director Chad Archibald on Black Fawn Films’ “THE HERETICS”
The Canadian filmmaker discusses this nightmarish ride into hell.
Cut Short Interview with Sam Wineman, Director of “The Quiet Room”
This month’s Cut Short Interview features Sam Wineman, director of one of my favorite shorts of the year, “The Quiet Room.”
USAopoly Makes A Monopoly Out Of “Five Nights at Freddy’s”
USAopoly have released another board game related to their Five night at Freddy’s line, this time around it’s Monopoly: FIVE NIGHTS AT FREDDY’S EDITION with a Freddy-themed board, cards and game pieces.
Movie Review: “DEATH HOUSE” is completely expendable
DEATH HOUSE’s only value is as a game of Spot-the-Celebrity—which at least provides a distraction from the tackiness of the plotting and filmmaking.