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New release details set for acclaimed chiller “KOKO-DI KOKO-DA”
Originally set for U.S. play late last year, the festival favorite is now arriving in Stateside theaters later this month.
Exclusive: Tony Todd leads an alien invasion in “THE CHANGED”
The independent sci-fi/horror film is gearing up to get rolling, and a genre legend has joined the cast; we’ve got the scoop with exclusive comments.
Exclusive clip: A cutting confrontation in “TRANSFERENCE”
God help a priest faced with a blade-wielding villain in an exclusive excerpt we have to share from the dark sci-fi thriller TRANSFERENCE, debuting this week.
“SAINT MAUD” and more set to chill 2020’s Boston Underground Film Festival
A24’s already acclaimed SAINT MAUD (pictured) is among the scary attractions at the 22nd annual Boston Underground Film Festival, which takes place later this month and includes a number of premieres. Keep reading for the details and trailers for some of the features.
RIP “THE EXORCIST” star Max von Sydow
The actor known equally for international art-house cinema and Hollywood genre fare has passed away.
Exclusive clip: Gripping new thriller “BLOOD ON HER NAME”
Now out on VOD, BLOOD ON HER NAME is a gripping rural psychological thriller about survival in the face of increasingly dangerous and desperate circumstances. Check out an exclusive excerpt after the jump.
Movie Review: Psychosupernatural thriller “THE DARK RED” is smart, nuanced and savage
A blood-obsessed cult messes with the wrong mind-reading woman in this timely and affecting meditation on control, autonomy and vengeance.
Let’s talk about “THE HUNT,” Blumhouse’s new ‘Centrist’ Political Thriller
THE HUNT seems more likely to provide ideological fortification for its audiences’ ideological echo chambers.
Blu-Ray Review: “The Astrologer” from Severin Films
James Glickenhaus’ apocalyptic cult thriller arrives in 4K!
EXCLUSIVE: Interview with “Everybloody’s End” director Claudio Lattanzi
After a 32-year hiatus, filmmaker Claudio Lattanzi returns sitting on the director chair with his second feature film: EVERYBLOODY’S END, a throwback to the golden age of italian horror.