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“MANBORG” blasts onto the page in a new novelization
He’s joining some other cult favorites in Encyclopocalypse Publications’ growing movie tie-in series.
Exclusive Trailer and Poster for “ERZULIE” OPENING MAY 27 IN LOS ANGELES AT THE LAEMMLE GLENDALE
A reunion between four friends quickly goes awry when they find themselves face to face with ERZULIE: the swamp mermaid goddess.
RIP Jim McCullough Jr. of “MOUNTAINTOP MOTEL MASSACRE,” “CREATURE FROM BLACK LAKE,” etc.
A key figure behind regional cult-horror favorites has left us.
“NINJA VERSE,” from “ZVP” creators, wants you…to help it become reality
The creators of a popular faux trailer are seeking to make another pilot film and the feature expansion a reality.
Movie Review: Gaspar Noé’s “LUX AETERNA” Sheds Light On The Horror Of Filmmaking Itself
“Anthony [Vaccarello, Creative Director at Yves Saint Laurent] proposed to support me if I had any idea for a short film. Two weeks later, in five days, we improvised this modest essay about beliefs and the art of filmmaking. Now the 51-minute baby is ready to scream…Thank God, cinema is light flashing 24 frames per second.” – Gaspar Noé
Exclusive Interview: Rory Kinnear on playing a multiplicity of menacing “MEN”
One of the most memorable performances in a horror movie so far this year is actually a collection of them.
Movie Review: “SHEPHERD” Herds Grief and Ghosts Into One Haunting Tale
Director Russell Owen’s latest is an atmospheric slow burn with an aural edge.
Fringe Benefits: Reassessing Roberta Findlay’s ’80s Horror
Roberta Findlay: mistress of Z-grade ’80s schlock or an underappreciated horror auteur? Mark Matich takes a deep dive into the career of a genre enigma.
Vaults of the Vatican: “STIGMATA” and Secret Gospels
Film scholar Michael Brown returns with another installment of ARCHIVAL HORROR. This time, he’s looking at the forbidden gospels of 1999’s “STIGMATA.”
“THE CROW’s” Alex Proyas is prepping a new horror movie, “SISTER DARKNESS”
The director is incorporating new virtual technology for this terror tale.