Archives
Just ahead of its Midnight Madness premiere this weekend at the Toronto International Film Festival, Richard Stanley’s return to feature-film…by Michael Gingold
In SHOCKER (1989) Wes Craven swang for the bleachers, and struck out...by kleurvision
Though ultimately satisfying, it doesn’t get at the deep-seated creeps its predecessor did.by Michael Gingold
After racking up raves from festival screenings, Jeremy Gardner’s follow-up to THE BATTERY now has distribution—and a new moniker.by Michael Gingold
THE HAUNTED CAR rides smoothly, navigating its narrative turns with ease.by kleurvision