Movie Review: Something “OLD,” something new, something seriously screwy
The scripting is so awkward and overdone that it sometimes elicits giggles rather than the intended gasps.
The scripting is so awkward and overdone that it sometimes elicits giggles rather than the intended gasps.
Erin Vassilopoulos' first feature is a retro thriller about identity, family and the urge for escape.
In this 1973 offering, Romero scares us with the most terrifying material of all: reality.
Largely a rehash of the previous sleeper hit, ignoring the potential suggested by its subtitle.
Its revelations are smartly ticked off amidst a scenario that also has plenty of room for scary stuff of its own.