TIFF ’25 MOVIE REVIEW: “KARMADONNA” Is A Shocking, Sacreligious and Singular Vision Of Retribution
The incredibly obscene and blasphemous directorial debut of the co-writer of "A Serbian Film" delivers karma at its most grotesque.
The incredibly obscene and blasphemous directorial debut of the co-writer of "A Serbian Film" delivers karma at its most grotesque.
It takes material that justifies at most about 20 or 25 minutes of movie and stretches it out to 98.
Grace Glowicki revives an old John Waters gimmick in the smelliest horror film so far this year.
EXORCISTIC breaks the mold of typical musical parody, instead opting for a show-within-a-show narrative format that propels it far beyond the audience’s expectations.
It’s Troma standards writ with a larger budget, and Blair and his team bring an advanced level of technical accomplishment while maintaining the spirit of the source.